Name: Alison Stine
Who is Alison? An award winning author that has written for The New York Times, The Washington Post and many more.
Books: Road to Winter, Supervision, Wait, Ohio Violence, The Protectors, Lot of My Sister, Trashlands
Buy: Amazon, Barnes and Nobles
Why was it important to you to have a queer character in your story?
I didn’t consciously set out to make Wil queer and I don’t know that she would call herself that exactly, if she has that language or community yet. She loves who she loves, but her experience of romantic love in a small town has been things just not working out. Nobody really seeing her.
That was also my experience for a long time. I’ve only felt comfortable calling myself bisexual in the past few years, despite having had long-term relationships with both men and women. That was how I grew up, in a small conservative town. Wil wants love, and the woman she loves wants something else, a bigger life, that Wil always hoped she could make somehow right here where she grew up. My experience is that sometimes you have to make that life elsewhere. Sometimes rural spaces are not the friendliest, home is not the easiest.
But I am very proud and glad to have a bi woman in a rural space in my book. I guess I wrote the book I needed when I was young and couldn’t find. It’s still hard to find bi characters, especially in adult literary and commercial fiction. It’s even harder to find them celebrated.
We seemed to be skipped over quite a lot. Often I feel invisible, like my life and experiences and struggles don’t matter. Being bi is just who she is, it’s not a plot device. Just a fact, as it is in life.
Where is your favorite place to write?
I can work anywhere, and have had to, being a single mother for most of my child’s life. But a lot of ROAD OUT OF WINTER, and my next book, were written and revised at The Westend Ciderhouse, a cidery and bar in my town. I would go in the afternoon—they opened early on Fridays—and had my favorite table. Nobody bothered me.
Several of the bartenders were my friends but they knew I was working. It was very quiet, and kinda dark and cool, and I would just write—and drink one cider, until it was time for my son to come home from school. I write better in bars than in coffeeshops. I guess I’m just that type.
What’s the worst writing advice you ever received?
That you need the approval of a teacher or professor or workshop or a degree to write. Writing is being a collector and interpreter of experiences. You don’t have to study writing formally or major in it, and looking back, I kinda wish I had explored more of my other interests in music and theatre and art. All that would have helped my writing too. Don’t let go of the other stuff that makes you happy.
Everything you do helps fill your well as a writer—other art, sports, travel, friendships. Books are your best teachers. The best thing you can do to be a better writer is to read, to experience, to write, and to live.
What is the best book you’ve read this year?
The best book I read this year so far was Meg Elison’s The Book of the Unnamed Midwife. I read and loved all the books in the trilogy. They were some of the first books I could get through in the early days of the pandemic, when my mind and heart were all over the place.
They helped center me, in part because they made me feel seen. The trilogy focuses on women, queer folks, bi folks, and how we might survive in a world that doesn’t really see or even want us—and that matters to me.
What are you working on next?
My second novel TRASHLANDS is coming out from MIRA in the fall of 2021. It’s about a single mom at a strip club at the end of the world. She has to choose between being an artist, being a parent, or being in love, which isn’t much of a choice at all but the kind that women throughout time have been forced to make.
And I’m starting to write my next novel, about a reporter who is hard of hearing (like me!) and is called back home to investigate something really bad.
Twitter | https://twitter.com/AlisonStine
Website | https://www.alisonstine.com/